cast(e) in the closet

cast(e) in the closet

“for those who muted their own legacy”

in a high-rise hive of glass and chrome,
he files his roots beneath “unknown.”
his name, once wild as monsoon rain,
now clipped and styled for urban gain.

the syllables he shed like skin,
once sacred, now a source of sin.
that surname – a rusted bell of caste –
he muffled it to move up fast.

the gods he knew now wait outside,
their chants replaced with lo-fi tide.
no mustard oil, no turmeric flame,
just scented soap and borrowed fame.

his feet once kissed the rural dust,
now tread on tiles scrubbed clean of trust.
each echo in his sterilized room
hums like a hymn denied its bloom.

he dines with men who raise their glass
to claim, “oh caste? that’s centuries past.”
their laughter – clinking casteless wine –
can’t taste the poison in the brine.

he nods, and smiles with well-tamed grace,
while hiding the tremor behind his face.
their heritage is worn with ease,
his stitched in shadows, out of lease.

he irons his accent, tailors his tone,
sells himself clean, down to the bone.
but no matter how sharp the suit or shoe,
the mirror still mutters, “they don’t know you.”

at night, beneath a borrowed quilt,
he dreams of buffaloes and silt.
of temples carved by unlettered hands,
of fireflies bright in guttered lands.

but wakes to walls too white to hold
the soot and spice of stories old.
he swallows tears, like bitter ghee,
because even grief must be bourgeoisie.

the city has taught him how to hide –
with passwords, paychecks, practiced pride.
yet in his silence rings the toll
of culture censored from the soul.

one slip, one drop of native sound,
and masks he built come crashing down.
for caste is not just skin-deep stain,
it walks with marrow, breeds in brain.

he’s not ashamed of where he’s from –
just scared of being asked to run.
to flee the boardroom, burn the bridge,
return as label, live on fringe.

his heritage – a whispered ache,
a scroll he’s not allowed to break.
so he keeps it locked, behind his name,
and hopes his kids won’t do the same.

but guilt – a guest that overstays –
now sits with him on salary days.
because for every box he’s dared to tick,
there’s blood beneath the metric click.

and so, within this sterilized cell,
he breathes a truth he’ll never tell.
yes, the closet hides the name they hate –
but also, everything that made him great.

Duality

Duality

At the break of dusk, the streets of Chandni Chowk, Delhi were reverberating with the sounds of celebration. Not of an event, season or festival; but the end of the day. There was something unique and special about this street. Each day ended with the inadvertent tribute to the completion of its monotony, so much so that the celebration had itself become a part of the monotony. Nevertheless, it was not something the residents didn’t look forward to. The mundane had to be done with, each day… everyday. Why? So that they could go back home to their families, have loud discussions with their kin, watch cricket matches in groups with their neighbours, loiter around in the street over tea mostly talking ill about the one who couldn’t come that day, and perhaps, for a change, in the midst of this robotic world… be human.

As the Sun lethargically made its way down the horizon, the excitement persistent in the street seemed to amplify. The vibrating noise of an archaic Scooter’s engine began cutting its way through the jolliness. On it rode a lean man wearing rugged formals, covered in sweat all around. His helmet’s colour had faded, his beard had aged silver and he was carrying a blissful smile on his face as he greeted everyone around him. They all knew him and he knew them all. “Assalamualaikum Azhar Bhai…” (Salaam Brother Azhar), “Aur Azhar Bhai…” (What’s up brother Azhar!), “Namaste Azhar Uncle…”, “Arre Professor Saahab” (Oh! It’s you, Professor Sir). There was utter happiness and warmth in the micro-engagement he was having with them all. He soon reached his home, got down from his scooter and removed his helmet to reveal his grey receding hairline. He picked up the polythene bags kept in the front of the scooter and gave a call to his daughter “Sana. Dickey se samaan nikal do mere haanth full hain” (Sana. Please get the stuff from the dickey since my hands are full). His daughter hurriedly took the packets out and rushed inside, pushing him aside. Azhar’s phone started ringing in his pocket, but his hands were full. As he drifted inside with a small bag in his hand and his helmet in the other, he took off his shoes at the shoe-rack kept in the small courtyard and greeted his wife and mother. He handed the bag to his wife, washed his hand and slowly walked inside the darkness looming in the small guest-hall of his house. He took his phone out to check on his phone and then kept it down on the table. He then turned towards his wife.

“Kya Hua? Bohot jaldibaazi mein lagrhi hai Sana” (What happened? Sana looks in a lot of hurry).

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